A case study on the performance practice issues of W. A. Mozart's Violin Concerto no. 5, K. 219

Abstract

An investigation of the differences between historical and modern performance practices in a staple of the soloistic violin repertoire.


Embargo status: Restricted until 06/2172. To request the author grant access, click on the PDF link to the left.

Description

Keywords

Mozart, K. 219, Violin, Performance Practice

Citation