Indigenous: It depends how you look at it. What you call it. How you live it

dc.creatorBeard, Laura
dc.creatorHopkins, Daniel (TTU)
dc.date.accessioned2023-07-14T19:06:46Z
dc.date.available2023-07-14T19:06:46Z
dc.date.issued2014
dc.descriptioncc-by
dc.description.abstractIn this article, we use examples from contemporary Anishinaabe artist Rebecca Belmore and the works of the Spiderwoman Theater Troupe to explore how contemporary Indigenous artists in the Americas negotiate the representation of Indigenous identities, identities which are always performed and entangled in a mesh of geographical locations, cultural practices and ideological borders. Through their artistic productions, many Native artists and authors participate in a larger community of voices discussing what it means to be Indigenous in the Americas and what ethical responsibilities or commitments to community are entailed in and by their work.
dc.identifier.citationBeard, L., & Hopkins, D.. 2014. Indigenous: It depends how you look at it. What you call it. How you live it. Ilha do Desterro. https://doi.org/10.5007/2175-8026.2014n67p13
dc.identifier.urihttps://doi.org/10.5007/2175-8026.2014n67p13
dc.identifier.urihttps://hdl.handle.net/2346/95056
dc.language.isoeng
dc.subjectIdentity
dc.subjectIndigenous
dc.subjectPerformance
dc.subjectRebecaa belmore
dc.subjectSpiderwoman theatre
dc.titleIndigenous: It depends how you look at it. What you call it. How you live it
dc.typeArticle

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