Cadillac Ranch

dc.contributor.creatorElizabeth Sasser
dc.contributor.creatorChip Lord (American architect, born 1944)
dc.contributor.creatorHudson Marquez (American video artist, born 1946)
dc.contributor.creatorDoug Michels (American architect, 1943-2003)
dc.contributor.creatorAnt Farm (American artists and architects, founded 1968)
dc.creatorChip Lord (American architect, born 1944)
dc.creatorHudson Marquez (American video artist, born 1946)
dc.creatorDoug Michels (American architect, 1943-2003)
dc.creatorAnt Farm (American artists and architects, founded 1968)
dc.date.accessioned2016-02-19T22:06:01Z
dc.date.available2016-02-19T22:06:01Z
dc.formatImage/jpeg
dc.identifierttu_sasser_000480
dc.identifier.urihttp://hdl.handle.net/2346/66664
dc.languageen
dc.rights© Texas Tech University Libraries. Users must request permission from the copyright holder for all use in publications, including theses and dissertations.
dc.titleCadillac Ranch
vra.imageagentElizabeth Sasser
vra.imagerightsElizabeth Sasser
vra.workclassificationpublic art
vra.workculturalcontextAmerican
vra.workdate1974
vra.workdate.century20th century
vra.workdescriptionIt consists of what were either older running used or junk Cadillac automobiles, representing a number of evolutions of the car line (most notably the birth and death of the defining feature of mid twentieth century Cadillacs; the tailfins) from 1949 to 1963, half-buried nose-first in the ground, at an angle corresponding to that of the Great Pyramid of Giza in Egypt.
vra.worklocationAmarillo,Texas, United States
vra.worklocation.gps35°11′14″N 101°59′13.4″W
vra.worklocation.noteoriginally located at 35°11′6.6″N 101°56′58.6″W in a wheat field
vra.worktitleCadillac Ranch
vra.workworktypeart installations

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